THEATRE
Confederates
"Also exceptional are Tracey Greenwood as both Missy Sue and Candace, Sandra's work study assistant. Collectively, the ensemble deepens the drama occurring during both time periods. As a result, Confederates is a thought-provoking production that holds nothing back in calling out challenging subjects like systematic racism and gender. Punctuated with light moments of humor, this inspired and relevant production is powerful and compelling theater." -- Rob Levy, Broadway World St. Louis
Mrs. Warren's Profession
**Joseph Jefferson Award Nomination - Performer in a Principal Role
"These subtleties are carried off superbly by Tracey Greenwood in particular; in addition to the difficult interchanges with her mother, she also has a charming and kittenish relationship with an impecunious and devil-may-care suitor. Her performance is as close to perfect as one can imagine for a role as ambiguous and emotionally demanding as this one; on stage almost continuously, she never strikes a false note." --Michael Antman, Splash Magazine
Oxy, Ohio
"Greenwood brings a natural poise and ease to her role as Becky while also rising to the challenge which the climax demands of her. While it is never easy to create an authentic portrayal of a junkie, all three do remarkably well." --Jeffrey Leibham, Around the Town Chicago
Why Torture Is Wrong and the People Who Love Them
Non-Player Character
"In an apparent departure from previous productions of Non-Player Character, separate actors portray Katja and Trent’s in-game avatars, Aria (Tracey Greenwood) and Caspar (Michael Saubert). As their controllers speak to each other over their headsets, Aria and Caspar frequently double Katja and Trent’s dialogue—all while maintaining their medieval-ish warrior bearings. The mirroring effect is a terrific shorthand for the overlapping of these online and IRL worlds. It also helps that Greenwood, Saubert, Strahan and Abigail Lafont (as a fourth Spearlight avatar) are highly skilled actor-combatants, impressively executing Maureen Yasko and Chris Smith’s battles in the tight space of the Auditorium Theatre’s first-floor studio stage. (One other very nice touch that must also be a hell of workout for these actors: They perfectly capture the perpetual-motion swaying of video-game characters’ “idle animations.”)" --Kris Vire, Storefront Rebellion
The Tall Girls
"The cast is terrific. Not only did Contey have to find talented actresses able to play these roles, he had to cast young women who could play (or taught to play) basketball. Tracey Greenwood is all spit and vinegar as Almeda, a girl who’s lost her mother and is resentful of anyone coming in to take her place." --Colin Douglas, Chicago Theatre Review
Professional Training Company - Actors Theatre of Louisville